Through a simple digital iterative process each of Nadine Hennelly's photographs is reconfigured into a grid creating an abstraction of the original image. Through this process, formerly concrete details are left ambiguous, compelling the viewer to inspect each structure more intimately in an attempt to identify its context.
Colour, architectural details, design elements, and composition combine to create an emotional response in the viewer but the reality of the subject matter remains intact, albeit ambiguously. By reinterpreting the urban landscape, Hennelly creates an interplay of shapes and colours into dynamic abstracted patterned forms that do not exist in reality but rather exist as sensory experience.
Installing the work individually or in multiples, horizontally or vertically in either identical or varying images creates an open evolution of dialogue between each piece, further enhancing their inherent optical structures, and geometric patterns, creating new levels of detail and abstraction through repetition.
L'installation du travaillent individuellement ou en multiples, horizontalement ou verticalement en images identiques oudifférentes crée une évolution de dialogue ouvert entre chaque pièce, de renforcer leur propre structures optiques, et de motifs géométriques, de créer de nouveaux niveaux de détails et de l'abstraction par la répétition.
Studio H 2252 rue St Antoine Ouest Montreal Qc |
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